Showing posts with label ArtCenter. Show all posts
Showing posts with label ArtCenter. Show all posts

Tuesday, August 23, 2011

Magenta ribbons


We just finished up Summer term. With Senior Show, Graduation and interviews, that adds a few more layers of craziness to life, in a good way. The image above was (I think) a final project for an installation art class, sheets of colored paper inset into the huge black metal beams that make up the iconic structure of The Building. It stayed up well beyond its final presentation, through graduation, adding a really nice touch to my many treks across the bridge those last few days.

In adding that link, above, I noticed that the background image at the school website is much like my photo:

See the reflection? Ooooh.... nice ...


so it's safe to say that this student project made quite the impression.

Summer graduation is kind of like that: just a bit more lighthearted and festive. Even the building couldn't resist getting a little gussied up.

So. I'm slowly going through the photos from our trip, piecing together details, wishing I'd taken more coherent notes (ie. complete sentences or whole paragraphs, or even on consecutive pages in my travel notebook). It's slow going.

I did run across a great blog post that I wanted to pass along, though. I wish I had written it and taken those photos; do you ever run across writing like that? You wish you'd written it? Couldn't I have given up going on and on about our new camp beds and written something more thoughtful about the Sequoias, like this? I read this and went, "Doh!". Thankfully, that quickly gave way to, "Ooooo, look at those photos...". We were in the same place, having the same thoughts about these lovely, majestic giant trees. I'm grateful that one of us got out the words that really need to be said. Go and click on over, and enjoy a visit with the giant Sequoias.

You'll thank me. And you'll thank Alissa (thanks, Alissa!).

Wednesday, March 09, 2011

Wistful Wednesday

Mosquito punk

Last night, I sat through the presentation of my school's new mission statement and strategic plan. I've been involved with writing mission statements several times in my past, individually and as part of a group, and you know how that tends to go, don't you? You end up with lots of words. Paragraphs with lots and lots of words that talk about 'this is what we do'. You start waving your hands in the air, as if to abbreviate words with gestured circles in space. There comes a point where the words smother the energy of purpose and intent, and all that's left is a wispy strand of smoke – – you could try to capture that, but in grasping at it, you completely break up its form and energy. Eyes glaze over.

Luckily, what we have, from a flashing spark of inspiration and a flurry of energized email messages, is a message that seems to resonate with the school.

Learn to Create. Influence Change.

I like it. I don't have to refer back to my employee handbook to recite it. Would anyone actually make me recite it? Is that what it would come to? I don't think so. But I can rely on it to guide me. I can push and pull at it to meet changing demands and situations I run into with my students; it can be a steady compass pointing to our True North. And beyond the words themselves, I am even more appreciative of the collaborative, passionately creative spirit in which this phrase was crafted.

For the record, its subtitle, one that I really liked, sadly did not make the cut: Nothing rhymes with Orange.

Oh well.

So, I was sitting there, listening to the ideas and pillars, the plans, the challenges, the call to challenge ourselves as an institution, as we challenge our students, to be doggedly rigorous in tackling the task at hand.

Whew.

And there's the mission statement, that is plain and strong, yet, as our President commented, leaves plenty of room to breathe.

Room. To. Breathe.

And then I sat there, listening to the words, thankful for our president's background in theater, the passion and conviction, the pauses, the tempo and cadence. In a community where we are all so very keenly sensitive to visual expression, what an experience it is to have someone who will speak with as much expression, for us to be delighted in a different way, another path way to our souls.

So, if you come back and find me pondering about how people learn to create and how we can teach to influence change, or musing about how nothing rhymes with Orange, that's where that comes from.

And, for the record, nothing really rhymes with Purple, either.

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20110208_Backpack

At Art Center, we have 14–week terms (three per year), and graduate at the end of each term. The beginning of each term is brimming with newness, new students wandering the halls, looking more than a little dazed, learning skills in the machine shop and lugging around oversized drawing boards. The middle of the term is weary: midterm presentations. The last two weeks are a mad frantic sprint: final projects needing to be both physically created and orally presented, the wild, chaotic explosion that ultimately cleans itself up as Graduation Show. The end of the term is anxious with interviews and bittersweet in seeing another group of young artists and designers leave. The 14 weeks seem to go quicker and quicker each term, and while there is a rhythm to the peaks and lulls, let me tell you, it's not like the rolling of the ocean (imagine my hands waving, hula-like, gesturing: 'The ocean") –- it's a rollercoaster. It all starts to blur together, and boy, has the time gone by quickly.

So, for your reference, we're well into Spring term, in the post-midterm lull of week 8.

I've been reading and editing resumes, introductory letters and personal statements, because, well, that's what I do about week 8 of each term. I spend a lot of time asking people to think: What do you really enjoy doing? What do you want to pursue? What can you show as examples of the skills you say you have? How can we help create a compass for you, so you can go out and earn a living and, well, influence change?

I probe and ask 'Why?' a lot. I press and have students dig, to tell the stories —their stories — so that others will remember them. I build trust and comfort, so that secrets can bubble up: 'What I really want to say is this…'. We work so that poignant stories and unexpressed yearnings can find a strong and certain voice.

Right. That's what I do.

Driving home, I smirked to realize that I was wishing for a little bit of that myself: time to sit and think and talk through the ideas – – to someone else. You see the last three paragraphs before this one? I haven't quite figured out how to put those ideas neatly onto my resume. What do you I really enjoy doing? What do you I want to pursue? What examples can you I show? What's the unexpressed yearning?

[sigh]

You can only get so far talking to yourself, driving in the darkness, headed east on the 210.

I know, because, well, that's what I do.

Monday, January 10, 2011

Norman Schureman Memorial Scholarship

To my dear Bloggy Friends:
I wanted to let you know about a personal project of mine and to ask your support.
I’ve been getting back into running and have been training to complete my first (this time around) race, The Rose Bowl 5K, on February 6. To be honest, I wish this were easier; it’s been a test not only of my legs and lungs, but this time, of my will, as well. Fortunately, deep and unwavering inspiration came from an unexpected source: I’m running to celebrate and honor the memory of Norm Schureman.
Norman Schureman was a beloved instructor at Art Center College of Design, in Pasadena California, where I graduated from and now teach. A tragic accident took Norm’s life early last spring. He was a colleague, mentor and friend of hundreds of Art Center students, faculty, staff and alumni. We have missed him so very much.
Art Center established the Norman Schureman Memorial Scholarship which will be available to incoming Product Design students. Our college President, Lorne Buchman, said in a blog post, “One of the ways the College can be true to his memory is to make sure young creatives have access to pursue a first-rate design education.”
Here’s the deal I’d like to make with you: I’ll put in the sweat if you donate to Norm’s Memorial Scholarship fund. In doing so, we both celebrate Norm’s life and help to ensure that his legacy continues.
- Click on the link below to get to Art Center’s donation page.
- Scroll down and under 'Area of Support / Degree Program Scholarships' select the Norman Schureman Memorial Scholarship. Give what you’re comfortable giving.
- At the very bottom, under 'Confirmation' please add words of encouragement in the ‘Additional Comments' section (something like: In support of runner Wendee Lee!), so that I can acknowledge your support of both my run and of the Norm Scholarship.  
[Click here!]


Please email me if you'd like to mail in a printed form.
If you’ve already given, thank you.
If you can’t give, please consider running or walking with me or send a note to cheer me on! I’d love the company and support.
Thank you! xox- Wendee

Tuesday, December 14, 2010

To Draw is to See


Now available, just in time for gifting:
To Draw is to See: The Sketchbook of Norman J Schureman.

This sketchbook features over 100 of Norm Schureman's master drawings. It is an absolutely stunning collection that showcases his talents as a designer and teacher. From birds to dinosaurs and from tanks to insects, every page is an inspiring example of his legacy.

100% of the proceeds of this book go towards his two sons, Milo and Kian.

Click here to preview the book online.

Thanks to Fridolin Beisert, who lovingly made this idea a reality. ♥

Thursday, April 01, 2010

Remembering Norm



















[Wherein we confirm that my choice in words sometimes has very little to do with what they actually mean to everyone else, but much more what they mean, apparently, just to me]

On Sunday, March 21, the first day of spring, my school lost one of its most beloved instructors, Norm Schureman. I received a message from one of my classmates, and by the time I’d called her back and returned to plug into the internet, there was already a message from the school president relaying the very sudden and tragic news and a flurry of posts on Facebook.

The past ten days have been hard for the school, for our department (I teach in the same department as Norm), and for our students. There’s been an outpouring of support in ways that no one could have quite imagined. There was an impromptu memorial service the very next evening. A physical memorial of student work grew to stretch almost the full length of the bridge walkway on campus, with sketches (copies as well as original work), cards, projects, notes and photos taped to the railing, throughout the week. There were flowers and candles, messages scrawled with chalk on the walkway, a six-pack of beer. Last Sunday, the school hosted a formal service and reception. We estimate that over a thousand people attended, some flying in from out-of-state, some from overseas. Hundreds more logged into the live webcast.

I’ve had people comment about mourning a colleague, that from the outpouring of emotion, the group must have been remarkably close. I forget sometimes, that there’s work that goes from 9 until 5. In school and in teaching, you learn quickly that interactions don’t work when classes end; the learning doesn’t stop at 5pm, or 10pm, or even after Friday, or ever. I’ve been lucky, a few times, also, to have worked with people that you genuinely … like. The faculty and staff in our department were best of friends; not just co-workers. It’s been sad and hard to continue on; it’s been hard to accept that this idea that Norm is gone.

For Norm’s service, our department chair asked for words, just descriptive words, that she could share. I’d been mulling over this for a while. What I would take from my experiences with Norm? My word, I decided, is ‘fierce’. J asked me, “Don’t you mean ‘fiesty’, perhaps?”. Norm was fiesty, indeed. But he was fierce.

Norm expected a lot from his students. In design, you communicate visually through sketches: you draw. A lot. In a school reknown for its design programs, you don’t just learn to draw, but you learn to draw like a fiend. We had drawing/sketching classes for at least three of our four years there. Compare this with the 1–1/2 to maybe 2 years of math I took when I studied engineering. Drawing is as fundamental as, say,  breathing. After we had learned to draw the basic shapes and could render them in appropriate materials, then we got Norm, and he taught us to draw dynamically, and passionately, with our own voices, confident and strong. He held the standard high. He was tough, but supportive and caring and always had us coming back for more. Did I mention Norm was tough? I admit that it took me a long, long time to warm up to his brand of tough love.

The other thing you learn in design is to think. You have to think broadly and quickly, without boundaries, then be able to assess your options and choose the best ones to go forward with. The other core classes Norm taught were Design Process and the beginning Product Design courses. He taught us to stretch, to follow through with our strongest ideas, then build them to make them real. We’d present our ideas and he’d pause, pull his glasses down the bridge of his nose and peer at us over those glasses, intensely, challenging us, without even saying a word. Everyone experienced that look; we all wanted to rise to meet the challenge; we all wanted that hearty smile and hug that affirmed for us that we’d done a great job. There is a lot of work you can go through to make yourself happy and satisfied with the final project for any given class. There are few other instructors, though, that we’d work so much harder to please and impress as Norm. We learned to think, all right.

So, Norm was imbedded in classes that are at the very core of what industrial designers do, the very heart of what you’d learn at school when you study industrial design. I imagine that he touched every student that’s gone through our department in the last 20 years. His father taught and continues to teach at Art Center. His nephew just graduated from the department, as well. His family truly is part of our larger, extended family.

What I came to observe and understand was Norm’s deep commitment. He was fierce, in his dedication to our school, to our department, and above all, to his students. That ‘Norm’ look? It was intense – it gave you a window into the fire that burned, yes, fiercely deep in him. And at our graduation shows - no one was prouder than Norm. His love for his family, his friends, of all of nature around him, of life itself – it was all deep, heartfelt and intense.

In looking up the definition, I suppose there are components of fierceness that are not so flattering in this instance: violent, aggressive, angry, menacingly wild, savage, hostile.

Okay, right. So, that is not what I had in mind.

I’d go with the option that reads “Extremely intense or ardent” except that, for me, it lacks a bravery and immediacy. The words feel a bit detached, a bit sterile. Even the modern slang entry “really good” is lacking.

For me, I have to ignore the definition I find on my screen and go with the definition I feel in my gut, the image that I see in my mind’s eye. The word ‘fierce’ works because it gives me a sense of spirit that Norm possessed, that he passed on to everyone around him, that now lives in all of us. We are all just a little bit more fierce in what we do because of what Norm gave us.

He gave us a lot.
And we sure do miss him, something fierce.